All the oil paintings of Konstantin Korovin

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ID	Image	Painting(From A to Z)	Details
37255		Actor	mk121 1911 Oil on canvas 65x81cm
37238		Artist in studio	mk121 About 1891 Oil on canvas 120x57.4cm
37261		Beside the open window	mk121 1916 Oil on canvas 87.5x67cm
37259		Bridge in the autumn scenery	mk121 1912-1916 71.5x98.5cm
37246		Cafe of Paris	mk121 1890
37247		Cafe of Paris	mk121 1890 Oil on canvas 51.8x42.8cm
23243		Country Village (nn02)	1919 Oil on canvas (dimensions unknown) State Russian Museum,Leningrad
37263		Fish	mk121 1916 Oil on canvas 106x88cm
37267		Fish wine and fruit	mk121 1916 Oil on canvas 64.7x86.8cm
37257		Flower and fruit	mk121 1911-1912 Oil on canvas 80x64cm
37232		Have tea	mk121 1888 Oil on canvas 48.5x60.5cm
37240		Impression	mk121 1903 61.4x47cm
37252		Impression	mk121 1906 Oil on canvas 59.9x73cm
37241		In the North	mk121 1899 Oil on canvas 47x65cm
37266		In the room	mk121 1919 Oil on canvas 88.5x67cm
94677		Konstantin Korovin's costume design for Igor in the production of Prince Igor at the Mariinsky Theatre, 1909	1909 TTD
94679		Korovin Paris	1933 TTD
37242		Mistress	mk121 1896 Oil on canvas 74x43cm
37264		Near the window	mk121 1919 Oil on canvas 88x66cm
2250		Northern Idyll	1886 The Russian Museum, St.Petersburg
57159		Nvgechangjia	mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum
57160		Nvgechangjia	mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum
37243		Paper Lantern	mk121 1898 Oil on canvas 79.5x33.2cm
37244		Paper lantern	mk121
23244		Paris (nn02)	14th of July n.d Oil on canvas (dimensions unknown)State Russian Museum,Leningrad
23234		Paris Cafe (nn02)	1890s Oil on canvas,24 x 19 3/4'' State Tretiakov Gallery,Moscow
37265		Paris France	mk121 1930 Oil on canvas 80.5x65cm
37245		Pier	mk121 1903 Oil on canvas 45x64cm
37250		Pier	mk121 1914 Oil on canvas 89x121cm
2248		Pier in Gurzuf	1914 The Russian Museum, St.Petersburg
85688		Pier in Gurzuf	Date 1914(1914) Medium Oil on canvas Dimensions 89 x 121 cm (35 x 47.6 in) cjr
37235		Port	mk121 1894 Oil on board 21.5x32.5cm
37236		Port	mk121
37249		Portrait	mk121 1903 Oil on canvas 90.4x78.7cm
37256		Portrait	mk121 1912 Oil on canvas 108x71cm
2252		Portrait of the Actress, Titiana Liubatovich	The Russian Museum, St.Petersburg
37262		Rose	mk121 1912 Oil on canvas
37254		Rose and Violet	mk121 1912 Oil on canvas
37260		Seashore	mk121 1910 Oil on canvas 46.5x77cm
37233		Songstress	mk121 886 Oil on canvas 160x84cm
37234		Songstress	mk121
37237		Summer	mk121 1895 Oil on canvas 64.3x46.3cm
94678		The Art Museum, Yaroslavl, Russia	1930s. Oil on canvas. TTD
37251		The Cafe of Yalta	mk121 1905 Oil on canvas 44.5x71.5cm
37258		The lady play Guitar	mk121 1911 Oil on canvas 87.2x67cm
2249		The Opera Singer, Fiodor Shaliapin	1905 The Tretyakov Gallery, Moscow
37248		The park of Paris	mk121 1906 Oil on canvas
37253		The park of Paris	mk121 1911 Oil on canvas 65x80.7cm
37231		The Rural life of Northern	mk121 1886 Oil on canvas 113x153cm
37239		Winter	mk121 1894 Oil on canvas 64.3x46.3cm

Konstantin Korovin
1861-1932 Russian Konstantin Korovin Galleries Konstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir gubernia. His father, Aleksey Mikhailovich Korovin, earned a University degree and was more interested in arts and music than in the family business established by Konstantin's grandfather. Konstantin's older brother Sergey Korovin was a notable realist painter. Konstantin's relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture. In 1875 Konstantin entered the Moscow School of Painting, Sculpturing and Architecture, where he learned from Vasily Perov and Alexei Savrasov. His brother, Sergey was already a student of the School. During their scholar years Korovins became friends with their fellow students Valentin Serov and Isaac Levitan, Kontantin kept these friendship through the whole of his life. In 1881-1882, Korovin spent a year at the Imperial Academy of Arts in Saint Petersburg, but returned disappointed to the Moscow School of painting, sculpturing and architecture. He studied at the school under the new teacher Vasily Polenov until 1886. In 1885, Korovin made traveled to Paris and Spain. Paris was a shock for me?? Impressionists?? in them I found everything for what I was scolded back at home, in Moscow, he later wrote. Korovin. On the balcony, Spanish women Leonora and Ampara. 1897-1898.Polenov introduced Korovin to Savva Mamontov's Abramtsevo circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others. The Abramtsevo circle's love for stilized Russian themes is reflected in Korovin's picture A Northern Idyll. In 1885 Korovin works for Mamontov's Opera house. He designed the stage decor for Giuseppe Verdi's Aida, L??o Delibes' Lakme and Georges Bizet's Carmen. St. Triphon's Brook in Pechenga. 1894.In 1888, Korovin traveled with Mamontov to Italy and Spain, where he produced painting On the balcony, Spanish women Leonora and Ampara. Konstantin traveled within Russia, Caucasus and Central Asia, exhibited with Peredvizhniki. He was painting in the Impressionist and later in the Art Nouveau style. In the 1890s, Korovin became a member of the Mir iskusstva art group. Korovin's subsequent works was strongly influenced by his travel to the North. In 1888 he was captivated by the stern northern landscapes, as seen in The Coast of Norway and The Northern Sea. His second trip to the North, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, Saint Trifon's Brook in Pechenega, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for the Korovin's art of the 1890s. Using material from his northern trip, Korovin designed the Northern Railway pavilion at the All Russia Exhibition of 1896 at Nizhny Novgorod. In 1900, Korovin designed the Central Asia section of the Russian Empire pavilion on the Paris World Fair; and was awarded the Legion of Honour by the French government. Spring, 1917In the beginning of the 20th century Korovin focused his attention on the theatre. He moved from Mamontov's opera to Mariinsky Theatre in Saint Petersburg. Departing from the tradition of the stage decor, which only indicated the place of action, Korovin produced a mood decor, which conveyed the general emotions of the performance. Korovin designed sets for Constantin Stanislavski's dramatic productions, as well as Mariinsky's operas and ballets. He did the stage design for such Mariinsky's productions as Faust (1899), The Little Humpbacked Horse (1901) and Sadko (1906) that became famous for their expressiveness. Pier in Gurzuf, 1914In 1905, Korovin became an Academician of Painting, and in 1909-1913 he was a professor at the Moscow School of Painting, Sculpture and Architecture. One of the artist's favourite themes was Paris. He painted A Paris Cafe (1890s'), Cafe de la Paix (1905'), La Place de la Bastille (1906), Paris at Night; Le Boulevard Italien (1908'), Night Carnival (1901), Paris in the Evening (1907) and others. During the World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen at the front line. After the October Revolution Korovin continued to work in the theatre, designing stage for Richard Wagner's Die Walk??re and Siegfried as well as Pyotr Ilyich Tchaikovsky's The Nutcracker (1918-1920). In 1923 Korovin moved to Paris by the advice of the Commissar of Enlightenment, Anatoliy Vasilievich Lunacharsky, to cure his heart condition and help Korovin's handicapped son. There was supposed to be a large exhibition of Korovin's works but the works were stolen and Korovin was left penniless. For years he produced the numerous Russian winters and Paris boulevards just to make ends meet. In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for a production by the Turin Opera House of Nikolai Rimsky-Korsakov's The Golden Cockerel. Korovin died in Paris on September 11, 1939. Konstantin's son Alexey Korovin (1897-1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.